This has not been a good summer for us, and as a result I haven’t posted in some time. As things take a turn for the better, I have recently started hooking again, and have made a start on the “foolish Virgin” (see the last post for details on my subject choice). I’m using #2 and #3 cuts with lots of shading and fiddly work…a refreshing change of pace for me after the #8 cuts for both the large abstract and the geometrical Floating Blocks.
While considering a colour palette for the dressses , I looked up images for women’s clothing in the 15th century and having found every colour imaginable on display, I decided to just use colours that pleased me., whether they were authentic or not.
The two palettes I settled on were:
(with no promises to stick to either one)
I soon realized I needed wider variation in both colour and texture for the shadows etc. to be effective, and in fact completely redid the bottom of the green skirt with more contrast, definition and variation before ending up with this version…. sorry…no photo of the mucky one).
With that in mind, I have lots of options available for the fuschia overskirt:
….although I likely won’t use them all. (they’re all more intense than the photo shows)
I expect I’ll remove some of the dark outlining in the scarf, but leaving it for now.
While working on this part, I’ve been considering questions and options for the background….running the gamut of a cobbled roadway at dusk, pondering how to show the illumination of the wise virgin’s lamp, thoughts of a misty medieval background, or perhaps none of the above and using a purely abstract background of various night colours which deepen as they move outwards…..no decisions on this as yet.
It is so nice to be hooking again and enjoying the act of creating something that pleases my eye.
Thanks for stopping by.